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splendidbuttsex:

ronaldalan:

rebelderadioactivo:

Me walking into school

Me at work

Me when I’m pretending to be a 9 year old girl when I’m actually 33 so that you would adopt me so I could sleep with your husband and murder your children.

(via ruinedchildhood)

Source: kverke
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Answer
  • Question: Are vampires real? - Anonymous
  • Answer:

    thenightvalepost:

    Everything is real, especially what you think isn’t. Because the power of imagination and fantasy and all that we believe in is more real than what we merely see.

Source: thenightvalepost
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dammit:

how do people make like hundreds of friends I can’t even make a grilled cheese with out burning it

(via heart)

Source: dammit
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p-eachful:

ohana means family. family means giving me your wifi password

(via ruinedchildhood)

Source: p-eachful
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And some things that should not have been forgotten were lost. History became legend. Legend became myth. And for two and a half thousand years, the ring passed out of all knowledge.

(via lordoftherings)

Source: tothless
Answer
  • Question: You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks! - freeglassart
  • Answer:

    makanidotdot:

    Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

    1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

    First, just get down the big shapes of your expression, just like you would for a pose.  

    So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

     Scribble it down

    image

    start to put on features

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    fix stuff

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    put on more stuff

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    fix stuff again

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    erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

    Whole head is a gesture!image

    image

    2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

    So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

    image

    image

    image

    That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

Source: makanidotdot
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suppermariobroth:

Luigi uses his supernatural ability to see beyond human perception to sense an invisible pipe cover and remove it, making it visible.

suppermariobroth:

Luigi uses his supernatural ability to see beyond human perception to sense an invisible pipe cover and remove it, making it visible.

(via ruinedchildhood)

Source: suppermariobroth
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npr:

Imagine if you could see the pen Beethoven used to write his Symphony No. 5. Or the chisel Michelangelo used to sculpt his David. Art lovers find endless fascination in the materials of artists — a pen, a brush, even a rag can become sacred objects, humanizing a work of art.

And now, at Washington, D.C.’s National Gallery of Art, visitors can see some of the materials that impressionist Mary Cassatt once used — three well-loved, large wooden boxes of pastels from distinguished Paris art supply stores. Each box is filled with stubby pieces of pastels, some worn down to half an inch, others almost untouched.

Now That’s An Artifact: See Mary Cassatt’s Pastels At The National Gallery

Photo credit: National Gallery of Art

Source: NPR
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